नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित)

54 THE NATYASASTRA [ IV. 101-

101. Bhujaṅgāñcita—the feet in Bhujaṅgatrāsita Cārī, the right hand Recita, the left hand with Latā gesture.

102. Daṇḍakarecita—hands and feet to be freely thrown about on all sides like a staff (daṇḍa), and the same hands and feet to be Recita afterwards.

103. Vṛścikakuṭṭita—assuming the Vṛścika K. and the hands with Nikuṭṭita movement.¹

104. Kaṭībhrāntā—the Sūcī Cārī, the right hand with the Apaviddha (Āviddha) gesture and the hip to be moved round.

105. Latāvṛścika—a foot to be Añcita and turned backwards, and the left hand to be with Latā gesture, its palm and fingers bent and turned upwards.

106. Chinna—the Alapadma hand to be held on the hip which in Chinna pose, the body in the Vaiśākha Sthāna (posture).

107. Vṛścikarecita—assuming the Vṛścika K., the two hands in the form of a Svastika gradually to be Recita and to show Viprakīrṇa gesture.

108. Vṛścika—the two hands bent and held over the shoulders, and a leg bent and turned towards the back¹.

109. Vyāmsita—assuming Ālīḍha Sthāna, the two hands to be Recita and held on the breast and afterwards moved up and down with Viprakīrṇa gesture.

110. Pārśvanikuṭṭaka—Svastika hands to be held on one side, and the feet to be Nikuṭṭita.¹

111. Lalāṭatilaka—after assuming the Vṛścika. K. a mark (tilaka) in the forehead to be made with a great toe.

112. Krāntaka—bending a Kuñcita leg behind the back, the Atikrānta Cārī, then the two hands to be thrown down.

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101 (B.101, G.98).
102 (B.102, G.99).
103 (B.103, G.100). ¹ See above 70 note.
104 (B.104, G.101).
105 (B.105, G.102).
106 (B.106, G.103).
107 (B.107, G.104).
108 (B.108, G.105). ¹ Ag. interprets the passage differently.
109 (B.109, G.106).
110 (B.110, G.107). ¹ See above 70 note.
111 (B.111, G.108).
112 (B.112, G.109).