पृष्ठ 140, कुल 654 में से

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पृष्ठ 140

.IV. 124 ] DESCRIPTION OF THE CLASS DANCE 55

Kuñcita—a leg to be first Añcita and left hand to be held on the left side with its palm upwards.
Cakramaṇḍala—the inner Apaviddha (Aḍḍitā)¹ Cārī with the body bent and held down between the two arms hanging straight.
Uromaṇḍala—two feet drawn away from the Svastika position and used in Apaviddha (Aḍḍitā) Cārī and hands in Uromaṇḍala gesture.
Ākṣipta—hands and feet to be thrown about swiftly in this Karaṇa.
Talavilasita—foot with the toe and the sole turned upwards and held high on the side, and the palm of hands bent.
Argala—feet stretched backwards and kept two Tālas and a half apart, and hands moved in conformity with these.
Vikṣipta—hands and feet to be thrown backwards or sideways in the same way.
Āvarta—the Kuñcita feet put forward and the two hands moved swiftly to befit the dance.
Dolāpāda—the Kuñcita feet thrown up, and two hands swinging from side to side in a manner befitting the dance.
Nivṛtta—hands and feet first thrown out, and the Trika to be turned round and the two hands to be Recita.
Vinivṛtta—observing the Sūcī Cārī, the Trika to be turned round and hands to be Recita.
Pārśvakrānta—observing the Pārśvakrānta Cārī, throwing out hands towards the front, and moving them in a manner befitting the dance.

113 (B.113, G.110).
114 (B.114, G.111). ¹ According to Ag. apaviddha = aḍḍitā cārī for which see NŚ. XI. 22.
115 (B.115, G.112).
116 (B.116, G.113). 117 (B.117, G.114). 118 (B.118, G.115).
119 (B.119, G.116). 120 (B.120, G.117). 121 (B.121, G.118).
122 (B.122, G.119). ¹ For nivṛtta, B. reads vivṛtta.
123 (B.123, O.120). 124 (B.124, O.121).

पृष्ठ 139 पृष्ठ 141