नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित)

56 THE NATYASASTRA [ IV. 125-

125. Niśumbhita—a foot bent towards the back, the breast raised high, and the hand held at the centre of the forehead (tilaka).¹

126. Vidyudbhrāntā¹—foot turned backwards and the two hands in the Maṇḍalāviddha² gesture stretched very close to the head.

127. Atikrānta—observing the Atikrānta Cārī, the two hands stretched forward in a manner befitting the dance.

128. Vivartitaka—hands and feet to be thrown out, the Trika to be turned round and hands to be Recita

129. Gajakrīḍita—the left hand bent and brought near the [left] ear, and the right hand in Latā gesture and the feet Dolāpāda Cārī.

130. Talasaṁsphoṭita¹—a foot to be swiftly lifted up and put forward, the two hands showing Talasaṁsphoṭita² gesture.

131. Garuḍaplutaka—the two feet to be stretched backwards and the two hands--right and left—to be respectively with Latā and Recita gestures, and the breast raised up.

132. Gaṇḍasūcī—the feet to be in Sūcī position, the side to be Unnata, one hand to be on the breast and the other to bend and touch the cheek.

133. Parivṛtta—the hands raised in Apaveṣṭita gesture, the feet in Sūcī position, the Trika is turned round (in the Bhramarī Cārī).

134. Pārśvajānu---one foot in Sama position and the opposite thigh raised, and one Muṣṭi hand on the breast.

135. Gṛdhrāvalīnaka---one foot stretched backwards and one knee slightly bent and the two arms outstretched.

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125 (B.125, G.122). ¹ Ag. interprets differently
126 (B;126, G.123). ¹ Ag. interprets differently.
² Nowhere defined in NŚ. 127 (B.127, G.124).
128 (B.128, G.125). 129 (B.129, G.126).
130 (B.130, G.127). ¹ Ag. interprets the passage, differently.
² Defined nowhere in NŚ.
131 (B.131, G.128). 132 (B.132, G.129). 133 (B.133, G.130).
134 (B.134, G.131). 135 (B.135, G.132).