नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित)

-VII, 108] THE EMOTIONAL AND OTHER STATES 145

101. Paralysis should be represented on the stage by being inactive, motionless, smileless, like an inert object, senseless, and stiff-bodied.

102. Perspiration should be represented on the stage by taking up a fan, wiping off sweat as well as looking for breeze.

103. Horripilation should be represented on the stage by repeated thrills, hairs standing on the end, and touching the body.

104. Change of Voice should be represented by broken and choking voice, and Trembling by quivering, throbbing and shivering.

105. Change of Colour should be represented by alteration of colour of the face by putting pressure on the artery, and this is dependant on the limbs.

106 Weeping should be represented on the stage by rubbing the eyes and shedding tears, and Loss of Consciousness by falling on the ground.

Application of the States to the different Sentiments

107. These are the fortynine States (bhāva) of the three kinds mentioned by me. Now you ought to hear of the different Sentiments to which they are applicable.

108. All the (fortynine) States except indolence, cruelty and disgust are applicable to the Erotic Sentiment (lit. raise the Erotic Sentiment by their own name).

109. Weakness, apprehension, envy, weariness, inconstancy, dreaming, sleeping dissimulation are the States applicable to the Comic Sentiment.

110. Discouragement, anxiety, depression, weakness, weeping, stupor and death are the States applicable to the Pathetic Sentiment.

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101 (B.155, G.100).	102 (B.156, G.99).
103 (B.157, G.102).	104 (B.158, G.101).
105 (B.159, G.103-104a)	106 (cf. B.160-161, G.105).
107 (B.162, G.106).	108 (B.169, G.107).
109 (B.171, G.108).	110 (B.172, G.109).