नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित)

.VIII. 83 ] THE GESTURES OF MINOR LIMBS 157

74. Vitarkitā : The Glance in which the eyelids are turned up for guessing, the eyeballs are full blown and moving downwards is called the Vitarkitā (conjecturing).

75. Ardhamukulā : The Glance in which owing to joy the eyelids are of the Ardhamukula type, the eyeballs are half-blown and slightly mobile is called Ardhamukulā.

76. Vibhrāntā : The Glance in which the eyeballs are moving, and so are the eyelids, and the middle [of the eye] is wide open, and full-blown, is called Vibhrāntā (confused)¹.

77. Viplutā : The Glance in which the eyelids [first] tremble and then become motionless and the eyeballs are [again] disturbed, is called Viplutā (disturbed).

78. Ākekarā : The Glance in which the eyelids and the corner of the eyes are slightly contracted and joined together and is half-winking, and the eyeballs are repeatedly turning up, is called Ākekarā (half-shut).

79. Vikośā : The joyful Glance in which the two eyelids are wide open and there is no winking and the eyeballs are not immobile, is called Vikośā (full-blown).

80. Trastā : The Glance in which the eyelids are drawn up in fear, the eyeballs are trembling and the middle of the eye is full-blown due to panic, is called Trastā (frightened).

81. Madirā : The Glance in which the middle of the eye is rolling, the ends of the eyes are thin, the eyes are bent, and the corners of the eyes are fully widened, is called Madirā (intoxicated). It is to be used in representing light intoxication.

82. In medium intoxication this Glance should have its eyelids slightly contracted, the eyeballs and the eyelashes slightly mobile.

83. In excessive (lit. the worst) intoxication the Glance

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74 (B.75, G.75). 75 (B.76, G.76)
76 (B.77, G.77). ¹ B.G. read 76b. differently.
77 (B.78, G.78). 78 (B.79, G.79). 79 (B.80, G.80).
80 (B.81, G.81). 81 (B.82, G.82). 82 (B.83, G.83).
83 (B.84, G.84).