नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित)

200 THE NATYASASTRA [ XI. 32-

32. Ūrdhvajānu—throwing up a Kuñcita foot and its knee brought up to the level of the breast, and the remaining knee without movement and then this second foot thrown up in the manner of the first, and the first foot kept motionless.

33. Sūcī—a Kuñcita foot thrown up and brought above the knee of the remaining foot and then to let it fall on its fore part.

34. Nūpurapādikā—one Añcita foot raised up and taken behind another foot and then quickly caused to fall on the ground.

35. Dolapādā—one Kuñcita foot thrown up and moved from side to side and then caused to fall on the ground as an Añcita foot,

36. Ākṣiptā—one Kuñcita foot thrown off and then placing it quickly on an Añcita foot by crossing the shank of the remaining leg.

37. Āviddhā—one Kuñcita foot from the Svastika position stretching and falling on the ground quickly as an Añcita foot.

38. Udvṛttā—the (Kuñcita) foot of the Āviddha Cārī taken round [the thigh of the remaining leg] and thrown up and then caused to fall [on the ground].

39. Vidyudbhrāntā—one foot turned to the back and after touching its top part to be stretched and the head moved in a circle.

40. Alātā—one foot stretched backwards and then put in and afterwards caused to fall in its heel.

41. Bhujaṅgatrasitā—one Kuñcita foot thrown up and the waist and the knee being turned round and the thigh [of the remaining foot] to be turned round too.

42. Hariṇaplutā—the foot in the Atikrāntā Cārī to be caused to fall on the ground after a jump and the shank of an Añcita foot to be put in the Kṣiptā posture.

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32 (B.X.33, G.33).	33 (B.X.34, G.34).	34 (B.X.35, G.35).
35 (B.X.36, G 36).	36 (B.X 37, G.37).	37 (B X 38, G.38).
38 (B.X.39, G.39).	39 (B.X.40, G.40).	40 (B.X.41, G.41).
41 (B.X.42, G.42).	42 (B.X.43, G.43).