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नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित)

नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित)

Natyashastra of Bharata Muni with Hindi Commentary (Vol 1)

भरत मुनि / आचार्य अभिनवगुप्त द्वारा

DevanagariSanskritpublished654 पृष्ठ

पृष्ठ 284, कुल 654 में से

संदर्भ में पढ़ें
पृष्ठ 284

-XI. 31 ] THE CARI MOVEMEMTS 199

  1. Baddhā—The sideways movement of the thighs when the two shanks are crossed.

  2. Urudvṛttā—the heel of a Talasañcara foot placed outwards, one of the shanks to be slightly bent and the thigh turned up.

  3. Aḍḍitā—one Agratalasañcara foot rubbing against the fore part or the back of another foot.

  4. Utsyanditā—the two feet to move gradually side-ways (lit. in and out) in the manner of the Recaka.

  5. Janitā—a Muṣṭi hand held on the breast and another hand moved round, and the feet to be Talasañcara.

  6. Syanditā—one foot put forward five Tālas away from the other.

Apasyanditā—the reverse of the Syanditā Cārī (i.e. another foot being put forward five Tālas away from the other).

  1. Samotsarita-matalli—going back with a circular move-ment and the feet being of the Talasañcara kind.

  2. Mattalī—going back with a circular movement and hands being Udveṣṭita and motionless.

  3. These are the Cārīs used in pesonal combat as well as in the Karaṇas. I shall now describe the aerial Cārīs.

The aerial Cārīs

  1. Atikrāntā—a Kuñcita foot thrown up, put forward and caused to fall on the ground.

  2. Apakrāntā—the Valana posture of the two thighs, a Kuñcita foot raised and thrown down sideways.

  3. Pārśvakrāntā—one foot Kuñcita and another thrown up and brought near the side.


20 (B.X.21, G.21),21 (B.X.22, G.22).22 (B.X.23, G.23).
23 (B.X.24, G.24).24 (B.X.25, G.25).25 (B.X.26, G.26).
26 (B.X.27, G.27).27 (BX.28, G.28).28 (B.X.29, G.29).
29 (B.X.30, G.30).30 (B.X.31, G.31).31 (B.X.32, Ġ.32).
नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित) · पृष्ठ 284, कुल 654 में से · BharatKosha