नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित)
Natyashastra of Bharata Muni with Hindi Commentary (Vol 1)
भरत मुनि / आचार्य अभिनवगुप्त द्वारा
पृष्ठ 284, कुल 654 में से
संदर्भ में पढ़ें-XI. 31 ] THE CARI MOVEMEMTS 199
-
Baddhā—The sideways movement of the thighs when the two shanks are crossed.
-
Urudvṛttā—the heel of a Talasañcara foot placed outwards, one of the shanks to be slightly bent and the thigh turned up.
-
Aḍḍitā—one Agratalasañcara foot rubbing against the fore part or the back of another foot.
-
Utsyanditā—the two feet to move gradually side-ways (lit. in and out) in the manner of the Recaka.
-
Janitā—a Muṣṭi hand held on the breast and another hand moved round, and the feet to be Talasañcara.
-
Syanditā—one foot put forward five Tālas away from the other.
Apasyanditā—the reverse of the Syanditā Cārī (i.e. another foot being put forward five Tālas away from the other).
-
Samotsarita-matalli—going back with a circular move-ment and the feet being of the Talasañcara kind.
-
Mattalī—going back with a circular movement and hands being Udveṣṭita and motionless.
-
These are the Cārīs used in pesonal combat as well as in the Karaṇas. I shall now describe the aerial Cārīs.
The aerial Cārīs
-
Atikrāntā—a Kuñcita foot thrown up, put forward and caused to fall on the ground.
-
Apakrāntā—the Valana posture of the two thighs, a Kuñcita foot raised and thrown down sideways.
-
Pārśvakrāntā—one foot Kuñcita and another thrown up and brought near the side.
| 20 (B.X.21, G.21), | 21 (B.X.22, G.22). | 22 (B.X.23, G.23). |
| 23 (B.X.24, G.24). | 24 (B.X.25, G.25). | 25 (B.X.26, G.26). |
| 26 (B.X.27, G.27). | 27 (BX.28, G.28). | 28 (B.X.29, G.29). |
| 29 (B.X.30, G.30). | 30 (B.X.31, G.31). | 31 (B.X.32, Ġ.32). |