प्रियदर्शिका नाटिका (सम्राट हर्षवर्धन - चतुरङ्क शास्त्रीय नाटिका सान्वय सटीक)

7 proficiency of the actors, &c.) one of the angas of भारतीवृत्ति, which is thus defined—निवेदनं प्रयोज्यस्य निर्देशो देशकालयोः । काव्यार्थसूचकैः शब्दैः सभावाञ्छितरञ्जनम् । कविकाव्यनटादीनां प्रशंसा च प्ररोचना ॥ नेपथ्याभि०—Towards the curtain or screen ( that separated the tiring room behind the stage from the stage itself. अये—shows surprise. –नान्द्युद्यते–engaged in, busy with; this reminds one of Bhâsa, who begins some of his plays with अये कथं or किमु खलु विज्ञापनाव्यग्रे, मयि ( see Svap., Pancha., Mad. Vyâ, &c. ). अङ्गाधि०— For Anga, see Introd. दृढवर्मणः—does not seem to be the name of a real historic personage. It is probably invented by the poet. भूमिका—part. अस्मद्भ्राता—In the Ratnâ, also the younger brother of the Sûtra. is introduced as assuming the character of Yaugandharâya