रत्नावली नाटिका (सम्राट हर्षवर्धन - शास्त्रीय नाटिका रत्न सम्पूर्ण ४ अङ्क सान्वय सटीक)

प्रथमोऽङ्कः 93 The sentence अयं भुजङ्गलोकः माम् पातालं संस्मारयति most probably alludes to the incident of उदयन's early life when he rescued a snake from the clutch of a S'abara and as a reward obtained the lute घोषवती ( See intro. ) The metre is here वसन्ततिलकम्, The figure of speech is here श्लेषानुप्राणितोत्प्रेक्षा mixed with स्मरणालङ्कार। The definition of स्मरण “सदृशानुभवाद् वस्तुस्मृतिः स्मरणमुच्यते”—साः दः। Here the similarity of पाताल having भुजङ्गलोक with their syringe-like hoods etc., being put forth, the idea of the nether regions is aptly brought to the mind of the King. Hence it is a case of स्मरणालङ्कार। Ch. of Voice..........शृङ्गेन भुजङ्गलोकेन......महं संस्मर्य्ये । P. 31. मदनवशविसंष्ठुलम्—Adverb, to नृत्यन्ति ; विसंष्ठुलं—unsteadily. मदनवशेन विसंष्ठुलम् ( स्यात्तत् ) . मदनवश—the influence of passion. वसन्ताभिगमम् नृत्यन्ती—dancing indicative of the spring-festival. P. 32. द्विपदीखण्डम्—A portion of द्विपदी। द्विपदी is a kind of Prakrita metre having two पादs divided into two parts each of which contains 13 मात्राs. The definition of द्विपदी as given in प्राकृतपैङ्गल is :— बारह इन्दु जत्थ ही पढ़महि दिज्जइ वेवि घणाहरं । तह पाइक्कजुअल परिसंठवहु विविहचित्तसुन्दरं ॥ प्राकृत-पैङ्गल p. 257. Here each of the पादs divided into two parts consists of 28 मात्राs । The metre is so named owing to its having two