भारतकोश
रत्नावली नाटिका (सम्राट हर्षवर्धन - शास्त्रीय नाटिका रत्न सम्पूर्ण ४ अङ्क सान्वय सटीक)

रत्नावली नाटिका (सम्राट हर्षवर्धन - शास्त्रीय नाटिका रत्न सम्पूर्ण ४ अङ्क सान्वय सटीक)

Ratnavali Natika of Emperor Harsha with Commentary

सम्राट हर्षवर्धन द्वारा

DevanagariHindipublished520 पृष्ठ

पृष्ठ 27, कुल 520 में से

संदर्भ में पढ़ें
पृष्ठ 27

XVI RATNAVALI from 780 to 813 A. D. His minister Damodaragupta wrote a work Kuttanimata in which references of Ratnávali are found. This shows that Ratnávali was written long before the 9th cent. A. D. Before this period there was no other king S'ri Harsha by name except S'ri Harsha otherwise named S'ila'ditya, who was the paramount monarch whose feet were waited upon by the circle of kings (पादपद्मोपजीवी राजसमूहः). So from these facts it is conclusively proved that the authorship of Ratnávali goes to no one else but to S'ri Harsha of Thaneswar. Priyadarśiká was also written by the same author as the subjectmatter of Priyadarśiká' resembles that of Ratnávali ; the प्रस्तावना and भरतवाक्य of both of these works are almost the same ; and besides these, there are various other matters in which a close resemblance is found in these two books. Though the subject-matter of Nágánanda is quite different from that of these two former books yet definite proofs as to S'ri Harsha being its author are available. The plot of Nágánanda appears to be taken from the story of Jimutaváhana who going to substitute himself in the place of the Nágas with a view to saving them from the clutch of Garuda endangered his own life. That S'ri Harsa of Thaneswar of the 7th century is the author of the drama Nágánanda is definitely proved by an account given by a Chinese traveller It-sing who visited Harsha'. In his account he says, “King S'iláditya versified the story of the Bodhisattva Jimutaváhana who surren- dered himself in place of a Nága. This version was set to music ; he had it performed by a band, accompained by dancing and acting and thus popularized it in his time.” This work Nágánanda might have been written towards the latter part of his life when he was strongly inclined towards Buddhistic teachings and often held religious councils in Prayága to welcome the Buddhist monks. However, it is conclusively proved that these three plays were written by the king S'ri Harsha in the 7th century.