रत्नावली नाटिका (सम्राट हर्षवर्धन - शास्त्रीय नाटिका रत्न सम्पूर्ण ४ अङ्क सान्वय सटीक)

APPENDIX B CRITICAL ANALYSIS Like Aristotle, Sanskrit dramatists also always paid parti- cular attention to a well-developed plot which is the essential element of a drama being successful and interesting. Characterization, though a necessary factor comes next in importance to the development of plot. Characterization mostly depends upon the arrangement of the incidents which bring about the circumstances that become helpful to the individuals in revealing their different traits of character. So in order to make a dramatic plot, a well-constituted organic whole, shorn of its unessential characteristics,— Sanskrit dramatugy gives a detailed analysis of the technique of development of the plot. Concerning the plot of a drama three technical terms are to be taken into consideration first, viz., अर्थप्रकृति (charac- teristic elements of the plot); अवस्था (stages of develop- ment of the plot) and सन्धि (junctures). These three constitute the different aspects of the plot which broadly takes two forms—आधिकारिक ( the principal or the main plot ) and प्रासङ्गिक (the subsidiary plot which may take the dimension of an episode or an incident). अर्थप्रकृतिs ( characteristic elements of the plot) are five in number such as बीज (germ) बिन्दु (drop,