रत्नावली नाटिका (सम्राट हर्षवर्धन - शास्त्रीय नाटिका रत्न सम्पूर्ण ४ अङ्क सान्वय सटीक)

APPENDIX D 467 the King. In the meantime Vāsavadattá again came there for pacifying the King who might have been offended with her rough behaviour ( cf. हंजे कंचणमाले ! तं तदा चरणणिबडिदं अज्जउत्तं अवधीरिश्र आवच्छकंतीए मए पदिकूलं किदं । ता दाणिं सच' च्वेव्व गदुश्र अज्जउत्तं अणुणइस्सं' )। Coming to the place she found Ságariká and the King together, when the Queen approached and said— अज्जउत्त जुत्तं एदं सरिसं एदं । So this portion of the main theme of the Drama is foreshadowed by what is said by Párvati and Lakshmi to Shiva and Krishna respectively. Q. 4. Explain Yaugandharáyaṇa's diplomacy in all its aspects as revealed in Ratnávali (C. U. 1932). Ans. See the story of the play in the Introduction, pp. xix- xxiii. Q. 5. Contrast the character of Vāsavadattá and Ratnávali in Ratnávali (C. U. 1932). Ans. See Introduction (Pp. xxxi—xxxii, and General Criticism, Appendix B). Q. 6. What is the बीज of Ratnávali? Trace its develop- ment through the various Acts. (Madras University, 1899). Ans. See the Critical Remarks at the end of Act I and II. (Pp. 109-107; Pp. 217-219). Q. 7. In which class of poetry रत्नावली is included? Who is the hero of the drama? Discuss the title of the drama. (Punjab University, 1901), Ans. See the Introduction (Pp. xiii, xxiii-xiv, and Appendix B, General Criticism). 13