रत्नावली नाटिका (सम्राट हर्षवर्धन - शास्त्रीय नाटिका रत्न सम्पूर्ण ४ अङ्क सान्वय सटीक)

412 रत्नावली समुपचित—Adj. to सङ्गमः । समुपचितं सुखं यस्मिन् ( बहु ) सः । सम् - उप + चि + क्त = समुपचित, increased. निःशेषम्—Adv. to निर् नास्ति शेषः यस्मिन् यथा स्यात् तथा ( बहु ) । पिशुनजन etc.—पिशुनाः जनाः ( कर्मधा ) तेषां गौः ( षष्ठीतत् ) ताः । पिशुन means "wicked." "पिशुनः खलसूचकौ"—अमरः । दुर्जयाः—Difficult to be put down. दुर् - जि + खल् । वज्रलेपाः—Adj. to पिशुनजनगिरः । वज्रस्य लेपः इव लेप यस्याः ( बहु ) ताः । This a kind of hard cement difficult to be broken. Critical Remarks Act IV of the Drama is the working of विमर्श and निर्वहण सन्धि together as the result of which the plot arrives at its final conclusion. In Act IV Ságariká and Vasantaka being detected by the Queen in the furtherance of the clandestine love-intrigue with the King, the former were taken captives in the presence of the King to his utter remorse ; and Ságariká was imprisoned by the Queen within the palace beyond the knowledge of all persons of the harem. A false rumour was circulated that Ságariká was being taken to Ujjayinī. But subsequently all traces about the girl became lost in complete obscurity. This became an insurmountable difficulty in the way of the union of the hero and the heroine. The King gave up all hopes of regaining her. Here is the working of विमर्शसन्धि— “यत्र मुख्यफलोपाय उद्भिन्नो गर्भतोऽधिकः । शापाद्यैः सान्तरायश्च स विमर्श इति स्मृतः” ॥ साः दः ६।७९-८० Here the means of attaining the main result ( मुख्यफलोपाय ), viz., the union with Ságariká is intercepted by the undesirable