रत्नावली नाटिका (सम्राट हर्षवर्धन - शास्त्रीय नाटिका रत्न सम्पूर्ण ४ अङ्क सान्वय सटीक)

208 रत्नावली advantage as His own lotus-seat must have certainly closed up at the sight of her moonlike face. When the moon rises, lotuses close. The lotus that is used as the seat of the Creator did not so long close at the rise of the moon in the sky, since it is far beyond the ordinary lunar region. But her face, transcending the beauty of the moon in the sky, caused the lotus-seat of the Creator even to close its petals ; hence the disadvantage. The figure of speech is here उत्प्रेक्षा and there is a suggestion ( ध्वनि ) of व्यतिरेकालंकार, as the face is indirectly referred to be surpassing the beauty of the moon, which is suggested by the expression अपूर्व्वपूर्णेन्दुम् । Ch. Voice.—दुःस्थितेन धात्रा ( भूयते ) । P. 153. परिहासशीलतया—Owing to your habit of making fun. परिहासः शीलं यस्याः ( बहु ) सा इति परिहासशीला + भावे तल् स्त्रियां टाप्— हेतौ तृतीया। शील means 'nature'. “शीलं स्वभावे सद्वृत्ते”—इत्यमरः। P. 154. Shloka 11. कृच्छ्रात्—With difficulty. ल्यब्लोपे पञ्चमी। व्यतीत्य—Passing over. वि—अति + इ + ल्यप् । सुचिरं भ्रान्त्वा—This implies the fulness of her buttocks. त्रिवलीतरङ्गविषमं—Adj. to मध्ये। तिस्रः वल्यः इति त्रिवलीति संज्ञा। The compound is justified by the rule “दिक्संख्ये संज्ञायाम्”। त्रिवल्यः एव तरङ्गाः ( कर्मधा ) तैः विषमम्। ( ३यातत् ) तस्मिन्। The threefold wrinkles on a young lady's belly is regarded by Sanskrit poets as a conventional criterion of beauty. निष्पन्दताम् आगता—Came to a stand-still. N. B. Just as a person wandering here and there comes